I wrote this in 2010.
Recently I’ve been thinking about the state of contemporary photography. It’s probably related to reading Charlotte Cotton’s “The Photograph as Contemporary Art,” my interview with Tom Barrow, and Brian Steele’s response to the interview. I’m sure it’s also a reaction to my Arid Harvests photos, which are the first I’ve done in over 10 years that have me considering focal lengths, f-stops, film speed, color balance, etc.
The long version of my thought process is that this style of photography is very popular right now: Continue reading “Photography’s Visual Conservatism”